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There aren’t too many people walking this earth that could get away with calling themselves Creative Provocateurs, but Michael Sturtz is undoubtedly one of them. The list of achievements he has racked up over the past 25-odd years is beyond impressive, as these have been achieved in the unbroken ground beyond the known frontier of innovation across a number of fields of endeavor, and artistic disciplines.”
– Tuia Innovation, Wellington, NZ

Michael Sturtz has been an innovative teacher, builder and facilitator for more than 20 years in a variety of fields. His ability to approach any creative challenge with tenacity and innovation has made him a leader in the world of art, design, and theater, opening new frontiers for cross-disciplinary collaboration. From his early years rebuilding cars and dissecting road-kill with his father, a surgeon, Michael has always been fascinated with the elegance and intricacies of how things work. He found early success as a sculptor, fabricator, and product designer and earned his BFA from Alfred University and MFA at The School of the Art Institute of Chicago.

In 1999 Michael set out to reinvent the idea of arts education, founding an art school that encouraged a truly non-competitive learning environment. The Crucible started with only a conceptual design and a grant for $1,750, but quickly grew under Michael’s leadership to become the largest nonprofit industrial arts education facility in the country. Michael designed the facilities and programs, welcoming 90 faculty and over 8,000 students every year. As part of The Crucible’s marketing and development outreach, Michael designed, directed, and produced stunning theatrical events uniting industrial arts processes with stagecraft and all manner of performing arts. His Fire Arts Festivals, Fire Operas, and Fire Ballets defined a new genre of entertainment in the Bay Area and attracted audiences from around the country.

After twelve years to the day at the helm, Michael retired from The Crucible to seek out new creative challenges, and found them at Stanford. In 2012, Michael accepted a teaching appointment in the Mechanical Engineering Design Group to teach at Stanford’s, where he spearheaded and then directed the ReDesigning Theater project for two years. He then became Executive Director of The Stanford Creative Ignition Lab at Autodesk in San Francisco, California. This lab’s mission is to explore the potential of visual, experiential, and embodied thinking to advance the future of learning, creativity, design, and making. There he aimed to pioneer new ways to more purposefully bring the tools of invention and production seamlessly into creative processes. In early 2017, Michael was invited to lead the prototyping lab at X (formerly Google X), where he led his own moonshot investigation and collaborated to pioneer the future of automated manufacturing.

Today, Michael is an internationally renowned speaker and consultant, igniting revolutions in thought, organizational development, and creative empowerment across the globe. His distinction as a force for creative transformation has earned him recognition among government and business leaders, community builders, innovators, educators, and artists worldwide. Michael has just been accepted as an Edmund Hillary Fellow and has also just launched Carnegie Innovation Hall,  So stay tuned for updates.